1. Activation in Vrijthof Square, Maastricht, 2025 (photo by artist)
2. Joy in front of her POS stand, Lagos, 2025 (photo by Ofem Ubi)
3-4. Wall-sculpture at Jan van Eyck Academie, 2025, hand-dyed cotton and nylon fabric, metal armature, pvc banners, 240 x 150 x 80cm (photos by artist)
5-9. Installation view at Visual Arts Center of Clarington, 2026, wall-scultpure, standing sculpture, radio, two-channel video installation, vinyl print (photos by LF Documentation)
POS Available Here repurposes the aesthetics and functionality of the point-of-sale (POS) stands commonly found throughout Nigerian — essential sites of money circulation in the country — to re-route money from the Global North to Lagos as a form of reparations. Here, visual elements of POS stands —the mismatched and layered fabrics, the posters, the company logos—become the vehicle for telling a different story about Nigeria’s integration into global economic and financial systems.
Rather than mere representation, POS Available Here turns financial infrastructure into a stage and financial transactions into performance. The project asks: if states and multinational corporations are unwilling to address global financial inequities, what then is the role of individuals?
Nnebe takes on the role of POS agent, taking payments from visitors using a customized payment terminal and sending the money back to the POS agents and local organizations she worked with in Lagos as a form of reparations and mutual aid.
As of June 2026, Nnebe has raised over €1000 operating her POS stand in the Netherlands and Canada, both within and outside gallery walls.
More information available here.
The artist would like to acknowledge the support of the Canada Council for the Arts for the artist’s participation at the Jan van Eyck Academie in 2025.
The artist would like to acknowledge funding support from the Ontario Arts Council, an agency of the Government of Ontario for producing the ‘We Have The Cure’ exhibition at the Visual Arts Center of Clarington in 2026.