Ihe anyị hapụrụ

Ihe anyị hapụrụ (2023) is a set of two hair accessories scaled up and cast in solid bronze. In an act of speculative Black futuring, it is part of a larger body of work that imagines the artist’s burial chamber as a future ancestor, inspired by 9th-century bronze sculptures excavated from an ancient Igbo burial chamber in southwestern Nigeria in the 1940s. Scaled up and cast in bronze, these hair pieces reflect an attempt to reconsider what (and who) we choose to remember and commemorate and the legacies we leave behind. Starting with these two hair accessories, the series will grow over time, culminating in a full burial chamber with artifacts representative of experiences of Black girlhood and womanhood across time and space.

Key words: bronze; restitution; Black speculative futuring; ethnographic gaze; diaspora; displacement; migration; Black girlhood; 3D technologies; future ancestor

Ihe Anyị Hapụru, 2023, Bronze, 10” x 7.5” x 2” and 2.5” x 9.5” x 3”

 

Neither Here Nor There But Always Home, 2023, UV ink printing on acrylic, ready-made metal holder

24”x18”x1” and 12”x9”x1”